reading

Somewhere Else

We were walking toward the fountain, the epicenter of activity, when an older couple stopped and openly observed us. Robert enjoyed being noticed, and he affectionately squeezed my hand. “Oh, take their picture,” said the woman to her bemused husband, “I think they’re artists.” “Oh, go on,” he shrugged. “They’re just kids.” ~ From “Just Kids” by Patti Smith

I’ve been reading Patti Smith’s memoir “Just Kids” about an early time in her life during her relationship with famed photographer Robert Mapplethorpe. It’s a short book and I could probably read it in one sitting, but I’ve been taking my time because it’s one of those captivating stories that can’t be rushed. It wants to be pondered, with entire passages read and then reread. Their meeting is a chance encounter that happens shortly after Patti moves to New York in the late sixties to pursue her dream of being a poet and artist. These are the years before Patti became a singer-songwriter icon, a prelude to her fame. At the time, Robert Mapplethorpe was also a struggling artist and their different yet similar worlds collided one day when she was working in a shop and sold him a particular necklace she coveted for herself. When I wrapped it and handed it to him, I said impulsively, “Don’t give it to any girl but me.” I was immediately embarrassed, but he just smiled and said, “I won’t.”

Patti and Robert lived together on and off for several years. They were the definition of starving artists, working at low-paying jobs to survive, while fearlessly creating their art during a turbulent time when art, music and politics were at war with each other and sometimes free thinkers were violently assassinated. For a brief time, the two of them found a home at New York’s infamous Chelsea Hotel, where they formed friendships with other artists, poets, actors, musicians, writers and the many lost souls living there. Some residents were already well-known by the late sixties and early seventies, some died while chasing their dreams from the rooms of that hotel, and others, like Patti and Robert, became famous later on.

Ironically, their individual successes were reached by way of the very mediums they avoided at the time. Patti wanted to be a prolific poet, not a songwriter. It was others who encouraged her to perform, to sing the words she wrote in her notebooks. Robert created collages out of other people’s magazine photographs and claimed to not have the patience to take his own photos to depict his provocative art. Their love story was profound, tumultuous, often joyful, and also heartbreaking. We already know they didn’t stay together forever, but even over time and distance, they continued to support one another, calling each other their star, “the blue star of our destiny”. Early in the book Patti described Robert in one foreshadowing sentence: I thought to myself that he contained a whole universe that I had yet to know.

Patti & Robert at the Chelsea Hotel, NY – photo credit unknown

While Patti and Robert were in their early twenties, chasing their creative dreams in New York, I was a young Canadian child living in the suburbs, running around the neighbourhood with my friends, and also hiding myself in my bedroom for hours with stacks of library books. At the same time I scribbled my thoughts into composition notebooks that eventually formed my own long, rambling stories. “Just Kids” has brought me back to the beginning of my creativity. I didn’t take Patti’s starving artist route in my later writing years. I never really wanted for anything. I grew up comfortably, never going to bed hungry or feeling unloved or yearning to escape. But, like Patti Smith, I was a daydreamer and many times felt misunderstood. She said of herself, I was a dreamy somnambulant child. I vexed my teachers with my precocious reading ability paired with an inability to apply it to anything they deemed practical. One by one they noted in my reports that I daydreamed far too much, was always somewhere else.

I was always somewhere else, too. My paternal grandmother taught me how to read long before I went to school by reading with me all the time. Early on I discovered how to lose myself in a story. We read storybooks together first and then children’s classic novels. Once we completed a book, she never asked me if I enjoyed the story. She always asked me how it made me feel. I didn’t know it at the time, but what a gift she gave me in that simple question. Thinking about that put me directly into the story and set the course on how I view writing today. I observe all art with feeling. I can’t listen to music without thinking about what the lyrics mean to the songwriter and to me. I can’t look at a painting and not wonder what the artist was going through emotionally at the time. I always look beyond the layers to somewhere deeper, somewhere else.

I feel fortunate to have grown up at a time, and in household, where books and movies, art and music were discussed at length. There wasn’t an outside world of knowledge for me to Google. My opinions and interpretations were always my own and I was often encouraged to share them. Patti and Robert’s story has made me long to relive the hours I spent discussing a novel with another bookworm friend over many cups of Red Rose Orange Pekoe tea. How one single observation made me reread chapters because I was convinced I’d missed something important. I feel nostalgic for long ago car rides, trying to decipher lyrics in a song on the radio because I’d always heard it one way, while another passenger heard something else. How many times have I sat in a car in the dark, shivering, as I discussed and dissected a movie just seen in a theatre with a sibling, a best friend or a boyfriend? Countless times. Wondrous times.

These days I–and maybe we–consume and don’t take the time to reflect before we move onto the next interesting thing. I’m reminded of my husband’s grandfather, who lived with us for a short time when we were first starting our lives together. He’d yell upstairs to me from his downstairs suite whenever his failing memory couldn’t provide an answer he needed, usually from a book he read a long time ago. We shared a love of literature and poetry, and maybe we understood each other a little better than most. Kindred spirits. If we’re lucky, we get to meet a few of those over a lifetime. I’d always dig deep to try to remember whatever he was asking because there was no internet then, no external way of fact checking on the spot. I soon grew to understand he wasn’t really searching for an easy answer, anyway. He was looking to relive the experience, the feeling a particular story once gave him. It was his way of asking me to come downstairs to talk about it with him without telling me that’s what he needed. Companionship. Understanding. A brief moment somewhere else.

As this year comes to an end, I once again find myself surrounded by stacks of books, notebooks, and manuscript pages. I don’t think it’s a coincidence that I find myself here again. Back at the beginning, to the daydreamer I used to be. I rediscovered this year it’s an important part of me and I’ve been missing that key to myself. December feels like the perfect time to savour Patti’s words–her voice calling up from downstairs, reminding me to take more time to let my mind wander and ponder before moving onto the next interesting thing.

It occurred to me looking around at all of your things and your work and going through years of work in my mind, that of all your work, you are still your most beautiful. The most beautiful work of all. ~ Patti Smith, “Just Kids”

Just Kids by Patti Smith