“…What if you wake up some day, and you’re 65, or 75, and you never got your memoir or novel written; or you didn’t go swimming in warm pools or oceans all those years because your thighs were jiggly and you had a nice big comfortable tummy; or you were just so strung out on perfectionism and people-pleasing that you forgot to have a big juicy creative life, of imagination and radical silliness and staring off into space like when you were a kid? It’s going to break your heart. Don’t let this happen.” ~ Anne Lamott
I rediscovered this quote recently while I was working through some hard decisions. I’m happy that I did because I’ve long admired Anne Lamott’s work and it was something I needed to see at just right the time. It’s interesting the way that happens sometimes. One moment you’re minding your own business, just trying to work through a nagging problem, then out of the blue someone or something speaks directly to your heart and it helps to prompt change.
The first book I read of hers, Bird by Bird: Some Instructions on Writing and Life, was recommended to me years ago by a writing instructor. Every creative person should read this book. Anne has a way of cutting through the murk and mess we create as humans to help uncover the hard truth of what’s really holding us back from doing what we want to do. I’m sure the reasons are different for every person.
I decided right there in the middle of a stressful time that I had to read Bird by Bird again. Not surprising, I couldn’t find my old dog-eared copy from the early 90’s so I ordered a new one. Rereading it I discovered that while many references are outdated, I still find it to be profoundly inspiring, and that some thirty years later one of my reasons isn’t the same because I no longer fear telling my truth.

When I was younger and I wrote a lot, at the far back row in my mind sat the audience. I could even visualize them; some had blurred faces because I didn’t know them well, while others came sharply into focus because I knew them too well. I was careful to the point of rewriting myself into a corner whenever I plotted fictional stories, just on the off chance someone close to me might catch glimpses of themselves in my characters. To this day I’m not exactly sure what I was worried about. Perhaps that I might inadvertently hurt or offend someone I love with the sharp edges of my writing? It seems rather silly now, as do most fears, given time and maturity.
Maybe it’s my age or maybe it’s life experience, but I’ve come to understand that the truth as I see it will never perfectly match someone else’s recollection. With that knowledge also comes the freedom to unfold my version the way I believe it happened. It’s impossible to create without adding the flavourful seasonings of thoughts and experiences collected, bottled and stored in our minds every day. It doesn’t matter if the “audience” is kind or not, or even if they wag a finger in disapproval from the back row. It only matters that we take what we need from storage, all the messy bits and pieces, and shape them exactly as we wish. Recently I’ve started writing a novel. It’s not a memoir, it’s purely fiction. But yes, some parts of the characters do resemble someone I know well: me.
I’ll leave you with a photo of “radical silliness” taken by my daughter in January 2020 while we were swimming in the ocean at Turtle Bay, Oahu. And another favourite Anne Lamott quote: “You own everything that happened to you. Tell your stories. If people wanted you to write warmly about them, they should have behaved better”.

